11 Mar 2014

I twist. You twist. Both of us twist?

Today taken by memories I went to the safe place, this doesn't happen every time when I get carried by my memories. So today was a good day and I would say I felt honored to 'walk in the studio' one more time for Cecilia Macfarlane's workshop which took place some time ago in January. 
Yes, good things take time and come to those who wait :) Some processing take time and so did I with the all vast information that had been generously given during the workshop.
Undoubtedly, information has been running trough my 'brain tubes' and have been filtered trough the filter - HOW DO I KNOW WHEN I KNOW, which is developing and possibly ever lasting research of mine.
In the workshop we were given a task to created small choreography based on the personal and intimate act from our daily routine. Of course, the choice of this act was individual and based on the subjective experience of each person in the room. After a creating choreography, we got to share it with each other. Moreover, we had to give choreography away and let it live in other body. This is how something personal and subjective became shared and objective.
In relation to my 'lifetime' research of knowing or/and unknowing, I am particularly interested in this twist from subjectivity to objectivity
It is no secret I like to ask questions. So here it comes, get ready!
Can something that I know you can know too?
And how do you know when I know? 
In other words, when and how knowing becomes not only subjective, but objective too? Can knowing be shared collectively or it will always remain a little bit individual and subjective

20 Jan 2014

Pick up!

Just an inspirational quote.
I believe, from time to time everyone of us needs a reminder.
Pick up - there is someone who is waiting to be heard.
Guess!
It is YOU :)

13 Jan 2014

Find a place to be..to hear..to see..to feel

Literature isn't my strength, especially poetry and especially in english.
However, some lines came to me while doing improvisation task today.
There I was sitting on the bench of a green spot in the middle between a car park and a high way, trying to SEE (with capital letters to express how hard I was trying to be involve it the process).
And then picture turned into words:

Stillness versus Run.
Me here in the sun.
I am  because I can.
And even when it isn't fun,
Can job be ever done?

3 Jan 2014

From 'NO' to 'YES'

The third day of New 2014 Year has come and brought me some answer on the question from previous post: 'How to be a fish in the sea?'.
Here it is:
'No New Year resolutions -  it is a revolution!
Leading by following.
Swimming by flowing.
Following&Flowing&Freeing = FFFlexibility'. 
I have found my way of being fish in the sea. It is the ultimate law of three 'F' that hopefully will give me enough flexibility in all possible forms. 
P.S. I do not believe in numerology, but here are  facts:

  • On the third day of new year I discovered a three 'F' law of the ultimate FFFlexibility;
  • Number of three is a essential symbol in Latvian mythology that most of the times is a good sign.
I don't consider myself being superstitious, but I do consider myself having a bit of sense of humor.

Anyway, I am going to give this a try and won't blame anyone who would like to join me.

Additionally, here is a link with some basic information about the Latvian mythology:
http://latvianhistory.wordpress.com/2009/07/16/the-latvian-mythology/

5 Dec 2013

How to be a fish in the sea?

I guess this post will be one of the  bad day posts as I promised in one of the previous posts in the beginning of this term.
I am having some inner battle or maybe even few of them since couple weeks already. It keeps me busy and doesn't allow to get some university related tasks done nor enjoy time of not doing them. Every thought seems to be locked away from me. And I am not able to find the right key to unchain it. So, they keep banging against their cages and making unbearable noise in my head. It makes me deaf from inside and outside leaving me paralysed and wishing only one - to be a fish in the sea.
Yesterday during or in between one of the battles I found an answer that I am going to practice deliberately. I am going to stop this hard thinking and will switch to  the soft thinking (terms taken from chapter of G.Claxton  book 'Wise Up: The Challenge of Lifelong Learning'.) .
I am going to follow Rudyard Kipling suggestion : ' When your Daemon is in charge, do not try to think consciously. Drift; wait; obey.'
I am giving my serried monsters freedom to dive in the waters of mind and swim freely like a fish :)

Please, share your experiences and strategies  how you deal with your inner voices and feeling of being overloaded.


Reference
Claxton G (1999). Wise Up: The Challenge of Lifelong Learning. N.Y.: Bloomsbury
Available online from> http://site.ebrary.com/lib/coventry/docDetail.action?docID=10250934

25 Nov 2013

To breath to fill lungs only?!

I have been having some thoughts and I can recall some bits of conversations.
I know it is confusing: what thoughts and what conversations?
I guess if I would start right from the beginning it would not make more sense.
However, this time I will refer to the reading on the subject of dance that I have done recently. Still is not clear enough.
It starts this way.
Subject:

  1. Yoga. In my case, it is dynamic style of yoga.
  2. Contemporary dance training. In relation to my experience, it is training with the focus on the different somatic based practices.
Questions:

  1. How does my yoga practice is related to the dance practice?
  2. How does yoga practice informed my dancing?
Doubtless, this process of questioning and discovering answers on previously mentioned questions is ongoing.Therefore, I kindly ask to put judgements a side and look at this piece of writing as a work in progress sharing attempt.
In reference to Malanie Bales 'A Dancing Dialectic' yoga practice can be seen as discipline that involves: play between passive and active (the stable body parts vs. the mobile parts, the strength vs. the stretch), the repetition of the poses versus finding something new each day; focus on the group practice or spatial awareness versus focus on the self, 'or inner space'; a sense of the universally human (yoga as a spiritual practice that unites people) versus the hyperpersonal (experience of one's individuality in flexibility, body shape and tone, strength, and perseverance).
It is clear and condense answer to first question as there are many parallels and overlaps how both disciplines can be linked  As my yoga teacher says: '..look at yoga as a dance..dance to the rhythm of your breath.' Indeed, while dancing some body parts are mobile when others remain fairly still.  Most of the time the base of the dance is movement. And many movements together have been called choreography that can be repeated over and over again as it is practiced in the yoga classes with asanas or postures. And these are just few examples of common features that contemporary dance training and yoga share. 
In relation to my own moving,  I have discovered that I have neglected importance and a role of yoga in my dance practice. For a while I have looked at yoga in a narrow way. It remained unknown for my consciousness that yoga have been more just a tool to condition my body and gain: strength, flexibility, tone and shape.
During practicing yoga I have learned to 'breath to and into the movement'. It has helped to stay focused as well as to melt in to the posture and keep up with the dynamics of the particular yoga style.
Looking back at my journal records there have been little notes about breath while dancing. I believe that in the studio practice I have unconsciously used the same yoga principles of breathing in my moving.
Authentic movement task that I completed revealed importance of the breath and the way how it can improve my practice. Focusing on the breath helped me to stay honest to my movement impulses, to keep up with dynamics of it, and kept judgmental thoughts away while I was moving.
At the end I found myself filled with a joy as I had experienced moment when UNKNOWN has became KNOWN. Now the practice to focus on breath and awareness of it can be implemented in my daily practice routine. I have experienced what is called SOMATICS, created a new pattern in my brain and linked theory with practice :)
I understand that this is just a one example how yoga practice have contributed to development of my dancing. And there is many other ways that urge to be explored as my movement practice keeps improving. There are no doubts that both disciplines lie close to each other. And more Eureka moments of my movement practice are on their way to my consciousness.




23 Oct 2013

Am I at the finish line?!

Here it comes that I am at my last year student of bachelor dance program in Coventry University.
To be honest it is the fourth week of my studies since I am back from ERASMUS and summer break. So far it has been pretty busy and it looks that it will get even more busy at the end of this term.
However, I am hopping in and challenging myself to do the best I can do in this crazy carousel :)
First term of this year I will be doing different classes that form one Movement Studies 3 module:

  • Skinner Releasing Technique;
  • Improvisation/Instant Composition;
  • Released Based Contemporary;
  • Yoga;
  • Experimental Anatomy/ Seminar;
  • Feldenkrais.
In relation to this module I will be posting my reflections upon my discoveries, explorations and experiences in these classes.
In addition to this I will be busy writing my dissertation and preparing my final project as well as exploring dance film boundaries and possibilities in: Final Project and Dissertation, and Dance and Moving Image classes.
And finally, in some spare time I will be madly practicing yoga and joining Ervin's yoga classes in order to:

  • cope with 'final year stress' syndrome;
  • stay fit;
  • finish Yoga Teacher Training.
There will be times when I will post more happy and enthusiastic posts about my journey. And I will try to keep them this way every time, but also I assume there could be some 'bad day' entries too. So, I rely on mercy of Universe to stay honest and presently conscious about my development as a thinker, explorer and discoverer in the field of performance art.